Steven Meisel, one of fashion’s most significant photographers, has been tapped to shoot Alaïa’s Winter–Spring 2026 campaign. The project continues the house’s longstanding commitment to working with major figures in photography; a tradition established by founder Azzedine Alaïa and continued today under the leadership of creative director Pieter Mulier.
For this season, the campaign adopts a sharply reduced visual language. Meisel’s images are direct and stripped back, built around frontal compositions that place full attention on the silhouettes of the garments and the bodies wearing them. The approach mirrors the philosophy behind the collection itself, where construction and shape take precedence over decoration.
The setting is intentionally bare. There are no elaborate backgrounds or props competing for attention. Instead, the models stand in a neutral environment that allows the garments’ structure and line to dominate the frame. The absence of ornament creates a stark visual clarity, encouraging the viewer to focus on proportion, texture, and posture.
Repetition plays a central role in the campaign’s design. The same compositional structure is used across multiple images, producing a rhythm that runs through the series. With the format held constant, small variations in stance, garment movement, and expression become more noticeable. Each photograph functions almost like a sculptural study, presenting the model as both subject and structure.
That sculptural sensibility has long been associated with Alaïa’s design language. The late Azzedine Alaïa built his reputation on clothing that treated the body as a form to be shaped and framed. In Meisel’s campaign images, that concept moves further toward the idea of the statuesque. The models are positioned with a sense of stillness, their poses echoing the discipline of classical sculpture.
The casting reinforces the campaign’s focus on a new generation of faces. Vanessa Becker, Noor Khan, Iasmin Silva, Jiahui Zhang, and Danielle Curie form the core lineup. Each model brings a distinct presence to the images, while together they represent a range of backgrounds that reflects the house’s evolving perspective.
The campaign is part of a larger creative project that extends beyond still photography. The accompanying films maintain the same restrained visual atmosphere, translating the static compositions into motion. Music from the Winter–Spring 2026 runway show also carries over into these moving images.
The soundtrack was composed by Gustave Rudman, whose work first accompanied the collection during its presentation on the runway. By incorporating the same music into the campaign films, the creative team links the two moments; show and campaign; into a continuous narrative.
Several leading figures in fashion image-making collaborated on the project. Art direction and video were handled by Fabien Baron, whose visual discipline helped shape the campaign’s stripped-down aesthetic. Casting director Ashley Brokaw assembled the lineup of emerging models who appear throughout the images.
The beauty team brought together some of the industry’s most recognisable names. Makeup was created by Pat McGrath, while hair styling was led by Guido Palau. Manicurist Jin Soon Choi completed the final details. Their work follows the same guiding principle as the rest of the campaign: restraint and focus.
The campaign is presented as a study in image-making. Each photograph is carefully constructed, emphasising composition and form rather than spectacle or narrative. The result is a series of images that highlight the relationship between body, garment, and camera. Each photograph is constructed with precision, emphasising composition and form over narrative spectacle. The result is a series of images designed less as fleeting promotional material and more as a visual statement about the house’s identity.
In the fast-moving cycle of seasonal campaigns, Alaïa’s Winter–Spring 2026 project stands apart through its controlled visual language and concentrated focus. Through Meisel’s lens and Mulier’s direction, the campaign reduces fashion imagery to its core elements: body, garment, and image.
TEAM CREDITS:
CREATIVE DIRECTION: PIETER MULIER
PHOTOGRAPHY BY STEVEN MEISEL
ART DIRECTION & VIDEO BY FABIEN BARON
MUSIC: GUSTAVE RUDMAN
CASTING: ASHLEY BROKAW
MAKEUP: PAT MCGRATH
HAIR STYLING: GUIDO PALAU
MANICURIST: JIN SOON CHOI