Art & Culture

Art from Sharjah to travel to New York

Barjeel Art Foundation’s exhibition "Taking Shape: Abstraction from the Arab World, 1950s–1980s" to rethink mid-century abstract art in Middle East and beyond. On view at New York University’s Grey Art Gallery January 14–April 4, 2020
Huguette Caland (Lebanon) City II, 1968. Oil on canvas, 31 1-2 x 39 3-8 in. Collection of the Barjeel Art Foundation, Sharjah, UAE


Artworks from the collection of the Barjeel Art Foundation in Sharjah will be presented at New York University’s Grey Art Gallery as part of the upcoming exhibition Taking Shape: Abstraction from the Arab World, 1950s–1980s, a collaborative project between the two institutions.

The exhibition will be accompanied by a book of essays by prominent personalities from the world of arts and cultureincluding three UAE-based authors – Salwa Mikdadi, Associate Professor, Practice of Art History, NYU Abu Dhabi; Sultan Sooud Al Qassemi, founder of the Barjeel Art Foundation, and lecturer and researcher on social, political, and cultural affairs in the GCC region; and Suheyla Takesh, Curator at the Barjeel Art Foundation.

Taking Shape: Abstraction from the Arab World, 1950s–1980s explores the development of abstraction in the Arab world via paintings, sculpture, and works on paper dating from the 1950s through the 1980s. By looking critically at the history and historiography of mid-20th century abstraction, the exhibition considers art from North Africa and West Asia as integral to the discourse on global modernism. At its heart, the project will raise a fundamental art historical question: How do we study abstraction across different contexts and what models of analysis do we use?

Examining how and why artists investigated the expressive capacities of line, color, and texture, Taking Shape will highlight a number of abstract movements that developed in the Middle East, North Africa, and West Asia, as well as the Arab diaspora. Across these regions, individual artists and artist collectives grappled with issues of authenticity, national and regional identity, and the decolonization of culture. The exhibition will feature nearly 90 works by a diverse group of artists, such as Etel Adnan, Shakir Hassan Al Said, Kamal Boullata, Huguette Caland, Ahmed Cherkaoui, Saloua Raouda Choucair, Rachid Koraïchi, Mohamed Melehi, and Hassan Sharif. On view will be works produced by artists from countries including Algeria, Egypt, Iraq, Jordan, Kuwait, Lebanon, Morocco, Palestine, Qatar, Sudan, Syria, Tunisia, and the UAE.

1 / 14
Abdallah Benanteur (Algeria) To Monet, Giverny, 1983. Oil on canvas, 47 1-4 x 47 1-4 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
2 / 14
Ahmed Cherkaoui (Morocco) Les miroirs rouges (Red Mirrors), 1965. Oil on jute, 9 1-4 x 11 1-4 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
3 / 14
Etel Adnan (Lebanon) Autumn in Yosemite Valley, 1963–1964. Oil on canvas, 20 1-8 x 20 1-8 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
4 / 14
Huguette Caland (Lebanon) City II, 1968. Oil on canvas, 31 1-2 x 39 3-8 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
5 / 14
Ibrahim El-Salahi (Sudan) The Last Sound, 1964. Oil on canvas, 47 7-8 x 47 7-8 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
6 / 14
Kamal Boullata (Palestine) Al-Zahir-al-Batin (The Manifest, The Hidden), 1983. Silkscreen, 25 3-4 x 15 3-4 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
7 / 14
Mohamed Chebaa (Morocco) Composition, c. 1970. Wood (bas-relief), 98 3-8 x 59 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
8 / 14
Mohamed Melehi (Morocco) Composition, 1970. Acrylic on wood, 47 1-4 x 39 3-8 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
9 / 14
Mohammed Khadda (Algeria) Abstraction vert (Green Abstraction), 1969. Oil on canvas, 21 1-4 x 17 3-4 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
10 / 14
Nabil Nahas (Lebanon) Untitled, 1983. Acrylic on canvas, 47 3-4 x 36 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
11 / 14
Omar El-Nagdi (Egypt) Untitled, 1970. Mixed media on wood, 47 x 47 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
12 / 14
Saliba Douaihy (Lebanon) Untitled, c. 1960–1969. Oil on canvas board, 19 3-8 x 23 1-2 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
13 / 14
Saloua Raouda Choucair (Lebanon) Interform, 1960. Wood, 23 5-8 x 12 5-8 x 4 1-2 in. Collection of the Barjeel Art Foundation, Sharjah, UAE
14 / 14
Samia Halaby (Palestine) White Cube in Brown Cube, 1969. Oil on canvas, 48 x 48 in. Collection of the Barjeel Art Foundation, Sharjah, UAE

Curated and organized by Suheyla Takesh and Lynn Gumpert, Director of the Grey Art Gallery, the exhibition will run from January 14 through April 4, 2020.