The dynamic architecture of the business districts in Paris, New York or Tokyo transposes her unique silhouette. The coats are sharp and belted at the waist, the trousers have a straight line, the one-piece jumpsuits are fitted. She draws on the power dressing of the working girl with always a touch of IRO madness : a leather blazer, a mirror effect, leather dress, a studded slit skirt. She dares to wear graphic zebra prints, a glance to the urban jungle she knows so well, and brightens her silhouette with an ice blue effect, over a cashmere sweater or a corduroy jumpsuit. Always on the go, and looking straight ahead, her silhouette is marked by laser cut jeans, with a steel effect on the leather, combined with the technical effect of a down coat with shearling. The knits are structured by XXL cable patterns or rhythmic ribbing. The jacquard is woven on the dress like a projection of silver, the print is digital, the tweed is geometric. Everything is in movement always dynamic; the future is not far.

Always at the crossroad of day and night, the IRO woman project herself through an intrepid accessory. Endless thigh high boots covered in rhinestones or with a mirror effect, electrify her look, the bags combine zebra patters and metal, gold and silver blend without complex. The format is easy, the heights are perfect, the belts are covered with studs and more rhinestones. So as to add a little bit of warmth to these cold winter days, mittens and hoods, cashmere and shearling are overlapped for a cozy effect. Comfortable, daring, but always ultra-fashionable.

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